Thursday, December 13, 2012

My Dad is the Best: Comic Book Speculator Edition


Dad
To: Chris
Chris:
Thought you might find this interesting.
Love,
Dad

From USA Today, 11/16:

Action Comics No. 1 (Superman's debut, 1938): $2.1MM

Action Comics No. 1 (Different copy of Action Comics No. 1 - Superman's debut, 1938): $1.5MM

Amazing Fantasy No. 15 (Spiderman's debut, 1962): $1.1MM

Detective Comics No. 27 (Batman's debut, 1937): $1.1MM
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Sent from my BlackBerry Wireless Handheld

Chris
To: Dad
Thanks dad! Isn't it great how many investments I've been making over the last decade in the potentially lucrative paper-bound asset market? It's a long time horizon for the payoff, but an insane ROI.


Dad
To: Chris
Make sure you keep them in good condition!

Do you have any recent. debut issues of characters that will be as big as Superman, Batman or Spiderman in 50 years. They seem to be the most valuable.
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Sent from my BlackBerry Wireless Handheld

Chris
To: Dad
hahah, I'm sure that I don't.

Dad
To: Chris
You never know. Maybe there is some secondary character that recently appeared that will emerge as the next great character. Has there been a Facebook Man, Twitter Man, Digital Woman, or "The Geek" in any recent comic books you have?
--------------------------

Chris
To: Dad
hahhahhaa!! How about THE SOCIAL MEDIATOR!!


Dad
To: Chris
Great play on Media and Mediator!

He/she intervenes in highly dramatic virtual events. Like internet attacks on the electric grid, or corruptions of eHarmony.com that match up mismatched people, etc., or interventions that convert war games into peaceful virtual gardens. The options are endless!!
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Sent from my BlackBerry Wireless Handheld

Thursday, October 18, 2012

5 things about Taken 2


1. All I really wanted them to do was recreate Taken. If they had made the same movie, but with new fights, I would have been happy. What made Taken: The First Take is the Deepest so great was the straightforward premise, Liam Neeson coming out of nowhere (as far as I knew) as a late-life action star badass, and the gritty feel to the movie. This time around, they sacrificed a lot of the things that made the first one great. The premise undercut the effectiveness of the first film (more on this later) and Neeson was showing his age (still strong for 60!). Rather than keeping the look of the film grounded and gritty, the director opted for quick cuts and flashy camera tricks that only served to take me out of the film.

2. One of the things that made Taken 1: the Takening so effective was the randomness of the abduction. The feeling that this could literally happen to anyone, that we're all one bad event away from exiting middle class comfort and entering a nightmare world, is terrifying. The second film abandons this in favor of a revenge plot driven by the father of one of the human traffickers that Liam Neeson (I will not learn his character's name) killed in the first film. I've never savagely tortured or killed anyone, and I'm pretty sure no one in my immediate family has either. I will never be in a foreign country and, through no fault of my own, find myself in this situation. While this type of escalation made sense for a franchise like The Transporter (also produced by Luc Besson), which delights in its own ridiculousness and indulges in the necessity of a plot only to move the audience from one action set-piece to the next, it is clear that Taken wants us to care about its characters on some level. I suppose the upside of not being able to put myself in any of the character's shoes is that I no longer have to feel that the ability to savagely end lives with my bare hands is a prerequisite for starting a family.


3. Everything that wasn't Liam Neeson wrecking dudes was terrible. I don't expect great dialogue from a mindless action film, or even great acting, but when DREDD 3D has more believable characters than your film, you are fucking up. The characters might as well have stared into the camera and given testimonials, "This is my name. This is my one dimension showing I am good/bad. This is my relationship with Liam Neeson." Then they could have gotten right to Liam Neeson being Wolverine with no superpowers and cut 45 minutes out of the film that I could give a shit about.

4. Jesus Christ, the car chase scene. I can imagine the conversation in the editing room:

"I refuse to edit this scene to under 10 minutes. I love that it feels 2 hours long."
"But, we need to do something to make it more exciting. At least cut it down to feeling like 90 minutes."
"Fine... Oh, I've got it! In video games they sometimes have voice-overs of characters saying the same exact sound bite over and over again. What if..."
"I see where you're going! Let's have Liam Neeson say 'Go' and 'Faster' one million goddamn times to draw a stark contrast to how fucking slow this scene moves."
"Perfect!! If we pull this off, we'll have done the impossible: make the audience sick of Neeson's silky Irish voice!"
"Do you want to have them crash the car into the US Embassy at the end for literally no fucking reason?"
"You are a goddamn genius."



 



Please just pull the trigger, both of you.


5. If this movie is on FX, feel free to leave it in the background as you multitask. This will not be the movie you and your bros geek out about, the way you did for Taken. There is no awesome threatening monologue, though the speech from the first film is referenced often. But don't worry, it made its budget back in the first weekend and explicitly laid out the premise for a third film in the last ten minutes. See you in 1-3 years for Tak3n.


Wednesday, October 17, 2012

The Artists Formerly Known as NFL

NFL SuperProdigy


Celine Deion Sanders

Aaron Rodgers and Hammerstein

Killa Cam Newton

Emmit The Smiths

Arian Foster the People

Jason Peters, Paul and Mary

Tony Ramones

Willis McgaHEEMS

KOOL ADrian Peterson

Calvin Mumford and Johnsons

Carly Ray Lewis Jepsen

AnamanaNdamukonguchi Suh

Kendrick Lamarr Woodley

Peyton Portugal, The Manning

Eli Gucci Manning

Archie Red Manning

D'Antwoord Jackson

Ryan KaLil Wayne

Roger G'Adele

RGM83

Dan MariNotwist

Mike DitKaskade

Charles FleetWoodson Mac

Kansas City Chief Keefs


New York They Might Be Giants

Jacksonville JaGWARs


I thought I was doing alright at this, but then Ashley put me to shame. She knows football way better than I do. Here are hers:


RG Three Six Mafia

Joe French Montana or Joe Hannah Montana

O.J. Jessica Simpson

Tim TeBow Wow or Tim TeBowling for Soup

Joe Flacco Seagulls or Joe Waka Flacco

Randall Cobbra Starship

Sugar Ray Lewis

Jars of Clay Matthew

Jerry Damien Rice

Randy Moss Def

Marshall Newhouse of Pain

Fat Tony Romo

A.J. Green Day

Miles Gene Austin or Miles Davis Austin

Bart Cobra Starship or Bart Black Star

Arian Foster the People

Cam'ron Newton

Russell Wilson Phillips or Leon Russell Wilson

Steely Dan Marino

Donald Driver-By-Truckers

Greg Waylon Jennings

Reggie Barry White or Reggie White Stripes or Reggie White Rabbits or Reggie Plain White T's

JJ Muddy Watters

Desmond BisHopsin

Casey Veggies Hayward

Matt HasselBeck

Troy AikMannheim Steamroller

Ben RoethlesberGershwin

Buffalo Springfield Bills

Whitney Houston Texans 

Tuesday, October 16, 2012

5 Things about Arbitrage


1. Arbitrage is a referendum on a transactional view of relationships. Robert Miller can only relate to people if he can buy them. His wife only stays with him because of the lifestyle it affords her. He can only relate to his children through his business- he reminds his daughter "you work for me," and his son, who has no business acumen, is referred to as an idiot and given minimal screen time. His daughter wonders what they would even talk about if they spent time together outside the office. His mistress is with him because he funds her art and provides her with a place to live. In each case, he gets what he wants by spending the massive amounts of money he has earned through his hedge fund, rather than through sincere interest or care for another human being. People are assets to be manipulated for gain. I know people, far less successful than Miller, that view the world this way and I could see their personalities reflected in Miller's relationship. 

What makes this movie cynical, and I think accurate, is that (*SPOILER ALERT*) Miller wins. Though it is at the cost of the relationships with his wife and daughter, the life of his mistress, and any integrity he might have once had; these things are secondary to the successful sale of his company and avoiding any direct personal harm.

2. Because Miller is purely objective-oriented at the expense of all else, he rarely exhibits sincere concern for another human being or regret. In fact he is often called out on it by the people closest to him. When he enters his birthday party at the beginning of the film he is handed gifts to give to his grandkids by his servants, missing the point that what matters is remembering the person and putting thought into their gifts, not the act of spending money. After giving a speech to his family about how they are "what's really important" his daughter observes that last time he gave a speech like that the company lost a huge deal and questions him about what is really going on. Whenever Miller says the word "sorry" it is always with the intent of getting something from the person he is talking to and often is followed by the promise of money or gifts to allay the anger being thrown at him.

He also uses the damage his actions would inflict on others as a way of avoiding responsibility for them. Whenever he is attacked for his illegal business practices he hides behind the damage that would be done to his shareholders, "real people would be hurt!!" Whenever he is taken to task for the way he is neglecting or mistreating his family for the sake of his business he claims that "everything I do is for this family!!" It is clear from the way that he sacrifices that his relationship with them that this is not a sincere sentiment. Concern and regret are nothing more than bargaining tactic to him.

3. That being said there are moments of sincerity for Miller. After the car crash that kills his mistress, Miller expresses sincere anger and frustration. None of this is in concern over the dead woman in his car, but rather over how this affects him and the pending sale of his business. In fact, he never expresses sincere regret over her death beyond how it affects his bottom line.

The only time he is truly happy in this movie is after negotiating the sale of his company at a table with a contract written on the back of a menu. After all the frustrations with the audit not being cleared, his car crash creating legal trouble, and his family falling apart; he has won what really matters to him- $525MM. He even tries to win the conversation afterwards: "What would you have paid?"
"$600. What would you have taken?"
"$475"
"Then we made a good deal"
"Yeah.... actually I would have taken $400"

4. Though Miller cynically treats his personal relationships as transactions where he can maximize his return for minimal effort, he is successful because everyone around him has a similar worldview. He is just far better at the "game" than they are. The policeman spearheading the investigation of the car crash was willing to falsify evidence and send an innocent man to jail in order to nail a "rich bastard to the wall." Miller wins because he is smarter, used to being lied to, and has the resources to expose the falsehood. Miller's wife tries to manipulate their daughter when she is most vulnerable in order to strip Miller of everything he has and reassert agency in her own life. She is outmaneuvered by Miller and ultimately her will is broken. Mayfield is just as skilled as Miller in manipulating events to drive down the price of Miller's company before making an offer. Once Miller convinces Mayfield that their objectives align, Mayfield is more than willing to overlook a $400MM hole in the books for the "greater good" of his stock price.

Miller's daughter, Brooke, is presented as a contrast to this philsophy. She realizes the books are being cooked and confronts her father about the $400MM hole in their accounting. Miller asserts his power over his daughter as an employer and a father and frames her exposing the lie as a choice between her integrity/career and her family. Their contrast in worldviews is displayed in the contrasted between his dark suit and her light dress. As she mulls over this information she is shown wearing black. Ultimately she succumbs to his worldview, accepting it even if she does not believe it, and we see her in a white dress that no longer means anything.

5. Jimmy is an important counterpoint to Miller in the film, because he is the one character that is defined by his integrity and cannot be bought. Jimmy's father had been Miller's driver. Miller calls on Jimmy for help after the car crash after years of being out of contact because, as the detective points out later in the movie, Jimmy is expendable to Miller. Jimmy repeatedly turns down offers of money as he sees doing the right thing as it's own end and will not take payment for it or take money to compromise his integrity.

The screen-writer manipulates the audience into rooting for Miller when his interests align with Jimmy's. When Miller is trying to prove Jimmy's innocence the audience wants him to get Jimmy off the hook for obstruction of justice because Jimmy is a shining beacon of morality. The sinking realization after he succeeds is that this was not done for Jimmy's benefit, but for Miller's. The good guy benefited, but the bad guy won.

At the end of the film Miller offers Jimmy money in order to assuage his guilt for nearly ruining his life. Jimmy is the one character who is able to take money from Miller without compromising his integrity, in fact he swears to do something good with it (open an Applebee's). Because of this Jimmy is the one character able to end this movie with a positive ledger, both financially and morally.


Arbytrage

Audit report says: See this film immediately.

Tuesday, October 9, 2012

2012 Summer Olympics TV Shows

I'm good at photoshop


Mad About Usain Bolt

Party of 500 Meter Dash

It's Always Runny in Philadelphia

Everybody 40-Love Raymond

Say Yes to the Dressage

Breaking Badminton

Mountain BiKing of the Hill

Gilmore Girls Gymnastics

Sein-track and Feld

Malcolm in the Middleweight Boxing

The Odd Double Sculls

CSI: Canoeing Slalom International

Battlestar Galacticanoeing

TaekwonDon't Lie to Me

Missy Franklin & Bash

Ryan SherLochte

The Opening Ceremonies were S#*! My Dad Says

Monday, October 8, 2012

Virgin Mobile CatastroFree Fest 2012





Virgin Free Fest!! An all day music festival where the only barrier to entry was whether you could click "Purchase: $0.00" on Ticketfly during the 30 second window that tickets were available. I was really excited to see Future Islands, The Dismemberment Plan, Skrillex, M83, and, above all, Das Racist (with Lakutis and Le1f).

Das Racist was playing right as the festival started, so we would have to be there at 12:00 Noon. My girlfriend, Ashley, and I were catching a ride with my friend, rather than driving ourselves, so that we could get Drunkasaurus Rex. Little did we know *ominous lightning flash* things were not to go as planned.

Problem #1: No Tickets

Before taking the metro out of DC to meet my friend in Bethesda, I stopped by Fedex/Kinkos to print out our tickets because I was too absent minded to print them out at work and who the fuck has a printer anymore? Except, as I was scrolling down the confirmation email I noticed the fine print:

"Available for pickup starting 9/28. No charge. General admission tickets not picked up by close of business on 10/4 will be released to the general public on 10/5. Paid Freemium tickets may be picked up through show day."

It's October 6th. Fuck.

Luckily, my incredibly gracious and generous friend offered us her tickets and decided to spend the day with her family instead. Unfortunately she had been our ride which meant:

Problem #2: No ride

Well, I could drive myself but then I wouldn't be able to get "Music Festival Drunk." A condition that is necessary when dealing with smug high schoolers who remind you of your wasted potential and receding hairline even though you're not that old. Mid-twenties is still young goddamnit!!

Unfortunately, at this point everyone else's plans were solidified and I would have to face the (illegally) drunk youth totally sober. Well, more sober than I'd like. We bought a six pack for the parking lot before the Das Racist show and hit the road. Which is when we realized...

Problem #3: No bottle opener

We went for that fancyish Oktübierfæst beer, which unfortunately meant it was not a twist top. I had recently lost my keys, which meant I lost my bottle opener and Ashley could not find hers.

Oh well, we'd pick one up when we get food. Except...

Problem #4: Finding food on the way was impossible

At a certain point I realized I was going to have to settle for McDonald's (the second worst of the prolific fast food chains, behind Subway). But when we followed a sign that said Fast Food right off this exit, what it meant was 5-7 miles off the exit. And even then it wasn't on the main road, but off of side roads where there was no signage. Multiple exits led to driving in circles and lost time.

We finally did find a McDonald's (blegh) but then...

Problem #5: McDonald's doesn't serve Breakfast past 10:30 AM

I know this is a comedy clichè that has been pounded into the ground ever since Big Daddy came out, but it is still some bullshit. The only things that are any good at McDonald's are on the Breakfast Menu. Serving it all day would be like printing money.

After eating our shitty high-calorie, low-taste food we were able to get a kitchen-style bottle/can opener at the nearby gas station. But then...

Problem #6: Dropped the bottle opener, revealing uncomfortable truths about my car

When we got to the parking lot, we picked up our shiny old-timey utensil and promptly dropped it under my car seat. Digging around for it really drove home the extent to which I've treated my car as a trash can. Found items included:

A Dozen Water Bottles
A Dozen Taco Bell Sauce Packeys
9 Parking Tickets (paid)
1 Parking Ticket (unpaid)
40+ Receipts
∞ Gum Wrappers
A Tangerine that felt like a styrofoam ball but was just very aged fruit

But, we got those beers opened. After downing our first drinks we realized a group of our friends was parked right near us and went to engage in the pre-show ritual of front-loaded drinking for 30 minutes until Das Racist was scheduled to go on.

Then Ashley received a text message that said...

Problem #7: Das Racist cancelled their set

The light at the end of the tunnel had been extinguished. Beauty no longer had meaning. Hope was no longer a relevant concept. 

They had gotten sick and would not be able to play the show. Meaning we'd gone through all of this, ALL OF THIS, to ONLY see a half a dozen other bands I was really excited about!! Truly, we are living in the worst of all possible worlds.

....

Well, except that Future Islands was great.

And Dismemberment Plan was amazing.
And Santigold had a horse onstage with her.

And it was kind of funny that NAS only knew half the lyrics to his new songs.

And the beer was pretty reasonably priced, even if the food was expensive and shitty.

And I had an awesome time with some of my closest friends.

....

So, we'll call it a wash.

Friday, October 5, 2012

5 things about Looper






This is true for every review, but for this one especially: **SPOILERS ON**

1. Based on the trailers and general critical reaction I was pretty sure I would love this film. I was surprised by the reasons I loved it, though. I thought it would be hard sci-fi that left me thinking myself in circles, à la Primer. I was not expecting to feel so many things, so strongly. Bruce Willis has several scenes that got me emotional, but nothing comes close to the climactic scene of the film. When Syd is losing his temper and about to destroy everything and Sara calms him down telling him, "It's okay, I love you." Ripped my heart out. And then when they raised the stakes in that scene ever higher... my god. 

2. Joseph Gordon Levitt's performance was different than what I was expecting- in a good way. I've come to expect high profile actors to be the same character in every movie, but in different contexts. While Tom Cruise is sometimes a secret agent and sometimes a sports agent, he's always Tom Cruise. JGL was not himself in this movie, he was Bruce Willis; and his Bruce Willis impression was excellent. He either had prosthetics/makeup, CGI, or both altering his face but it worked. He was able to fully inhabit his character without me thinking on some level, "Hey, that's the guy from 10 Things I Hate About You."



3. Someone on Twitter made the point that Looper's portrayal of the future feels genuine- the future wouldn't come all at once, but in fits and starts. Huge futuristic glowing skyscrapers are juxtaposed against abject poverty and the same dingy brick strip clubs that we have now. Hoverbikes are available for purchase to those who can afford it, but people are still driving the aged versions of the cars we have today, retrofitted with pipes leading from solar panels on their roof into their gas tank. 30 years is too short a time span to completely obliterate our culture and aesthetics as we know them. The juxtaposition between old and new also seems to serve as a commentary on today's widening inequality. Aesthetically, it is what Dredd  3D attempted to be, but with far better execution.



4. Given that this movie seems to explicitly reject the idea of alternate time-streams (as evidenced by how Jeff Daniels deals with Seth not closing his loop), I struggle to make sense of the time loop that this movies plot rests on. The film addresses this confusion in the scene where Young Joe and Old Joe meet in the diner. Young Joe is trying to make sense of how he could affect the future of the man sitting across from him and Old Joe yells something to the effect of, "SHUT UP, IT DOESN'T MATTER!!" If this movie was any less entertaining I would call bullshit, but given how well done the film is I am willing to accept that as an explanation.



5. Looper is full of moments and revelations that re-contextualize what has come before. When you first hear Syd say that his mom died because he wasn't strong enough, you hear the common sentiment of a child who has experienced tragedy and can also see the groundwork being laid for his eventual life as a crime lord. Later when his powers are revealed, it seems as if what he is saying is that his powers were not yet strong enough to stop whoever harmed killed his "mother." In the scene where Syd kills the Gat and Sara tackles Young Joe out of the way to save him, we learn that what he really meant is he wasn't strong enough to stop himself, he lacked self-control. This completely re-contextualizes his earlier comments which gets to the heart of the nature vs. nurture and "would you kill Hitler as a baby if you could" debates presented in this film (along wiht many thers). In this same way, Old Joe is re-contextualized from hero to sympathetic villain. The way the plot is structured forces the audience to interact non-linearly with the events of the film, mirroring the time travel elements of the story. That my be a stretch, but I'm sticking with it.