Monday, January 2, 2012

5 things about Red State



1. I did not like this movie. I didn't like any of the characters, even the ones that I think I was supposed to (though maybe I was supposed to hate everyone). I didn't like the message (more on this later). I didn't like the script or the dialogue or that it took only 75 seconds before the first (unfunny) gay joke. It actually was not offensively bad, but it really rubbed me the wrong way. I used to love Kevin Smith in Middle- and High-School and essentially give him a free pass on anything he did. The last thing he made that I really liked was Clerks: The Animated Series. At this point I'm more likely to avoid something with his name on it.

2. The title Red State had nothing to do with the plot of the movie itself, which was essentially what if the Westboro Baptist Church was a militant organization. There was no point at which they said why an organization like this would be geographically constrained. In fact if you remove the accents, people didn't act much differently than they would anywhere else in the moments that didn't involve firing guns or being crazy. Fred Phelps' church is actually name checked in this movie as "suers not doers" and not "gun freaks" like the villains. I think part of the intent was that being gay is more marginalized in the south but I'm pretty sure that, rightly or wrongly, society is not particularly kind to people that have homosexual affairs outside of their marriage no matter what part of the country they are in. And this movie had far fewer gay jokes than Smith's "Jersey Trilogy"

I can only assume the title Red State was meant to inflame people and thus create press coverage but it comes across as the perspective of someone who hasn't traveled much, hates our last president and thus uses a southern accent as short hand for stupid. This used to describe me, but I've traveled a lot the last two years and while my politics haven't changed it's become pretty clear that people of varying intellects and with crazy beliefs exist pretty much everywhere. I do wish people in the south would drive like they had somewhere to fuckin' be though.

3. The cast was star-studded- John Goodman, Kevin Pollack, Anna Gunn (Skylar from Breaking Bad), Stephen Root (IMDB him, you know who he is). Michael Parks' performance as the cult leader was very strong, but the content of his dialogue was not. The problems with the movie were script and direction. Those were both entirely Mr. Smith's responsibility

4. Here's my main problem with the film- it is an argument for nihilism. Obviously one of the main tenets of the film is that one shouldn't hold crazy beliefs, especially of a religious nature, so strongly that you harm others. I can stand behind that 100%. I think there are few that wouldn't. However, every time someone in this movie displays any sort of conviction or resolve they are killed mercilessly shortly thereafter trying to act on it. "We can't execute everyone in here, there are kids" BLAM "My sister is only 3 years old, I have to get her out of here" BLAM "Even though your family has tortured me and killed my friends I will help you get out of here because it's the right thing to do" BLAM. Sure, all the people with crazy beliefs get shot too, but this seems to be a movie where the message is anti-conviction whether it be good or bad. John Goodman's character, one of the few that survives, gives a monologue at the end of the film that clumsily attempts to tie a story about two close canine companions violently wrestling over a piece of chicken to the lengths people are driven to when they believe. Not when they believe crazy things, just when they believe. Goodman is subsequently given a vacation and a raise. Everyone other character is in jail or dead.

5. How the fuck in a movie where literally no one smokes weed, does Kevin Smith STILL find a way to make stoners the heroes at the end? Also, I would like to point out, not out of any sense of conviction or purpose but as a byproduct of screwing around.

The Trapper Song



Finally watched Cannibal: The Musical the other day, one of Trey Parker and Matt Stone's first pieces of work. That movie is a delight. Here is one of my favorite songs from it.

Sunday, January 1, 2012

Wye Oak - I Hope You Die



I got this song in a free Merge Records 2010 sampler off of Amazon and it's sat in my iTunes unclicked for over a year. Yesterday I found it and played it on a whim because Wye Oak topped the AV Club's list of best music of 2011. I have listened to it on repeat non-stop since. This is an incredibly beautiful song and I cannot wait to dive into their album Civilian.

5 Things about Young Adult



I'm stealing this format from Eugene Ahn (aka Adam Warrock, the #7 standout Nerd of 2011) because it frees me from feeling like I have to make the definitive statement about whatever movie I'm writing about. With that monkey off my back I should hopefully write more frequently. Also, there are minor spoilers ahead.

1. I liked this movie. I'm not sure how much yet though. It was very uneven and I felt like it dragged a little in the middle but by the end it totally won me over. I would definitely recommend it. Hell, I'd see it again just to try and parse out my feelings over it.

2. Though this was written by Diablo Cody, it is not Juno. It's much darker, less quirky and the protagonist is also the villain. Well... kind of. It's not that black and white, and that is one of the things I really loved about this movie. I know that by the end (spoiler alert) Mavis was able to shed the weight of her past and start on her way to allowing herself to be happy. But the way she did it heightened the "fuck these people I'm better than everyone" mentality that I thought was a pretty severe character flaw. But then again maybe that's what you have to do to move past caring about being judged and defining yourself by how others see you. Haven't totally figured that one out yet.

3. Patton Oswalt's performance as Matt, a nerdy guy who was crippled in high school when "The Jocks" beat him with a lead pipe because they thought he was gay, was excellent. He wasn't exactly out of his comfort zone playing a smartass nerd, but all the best scenes in the movie (with one notable exception) had him in it. He had the perfect balance of sarcasm, morality and fuck-it-all attitude and often served to call out just how crazy Charlize Theron's character was being. I am actually going to go watch "Big Fan" right now on the strength of his performance.

4. The last 20-30 minutes of Young Adult were near perfect. The movie had felt like it was meandering and I was not clear on where it was going. To that point my opinion of the movie was Patton Oswalt is excellent, but the rest was kind of "meh." I think this is largely because any story having to do with splitting up a relationship makes me irrationally uncomfortable. But from the points Mavis walks out the front door of Buddy's baby's naming ceremony onward, the movie is perfect. Mavis grows in a way that is positive, but not "uplifting" in a way that would betray the character. Her rant on the front lawn, her scene with Matt, her conversation with Matt's sister are all spot on, well written and terrifically acted. Things are resolved but not everything. Just like in real life.

5. There were moments of this movie that I genuinely connected with and not always in a pleasant way. A saw a lot of pieces of myself that I'm not particularly proud of reflected in Marvin's behavior when she was at her worst. The scene where she is totally losing it on the front lawn had some lines I could see myself saying and that's not a good thing. The hug between Marvin and Matt towards the end of the film captured how I felt when my high school girlfriend and I started dating- I was convinced I was hideous and had no earthly idea what she was doing with me. I was being unfair to myself at the time, but the contrast between Matt's broken short body and Marvin's model physique, and their emotional states at that moment, brought back that feeling so strongly. The themes in this movie are probably universal- the weight of nostalgia and history, dealing with personal tragedy, the incongruity between how someone sees themselves and how others view them- but there were moments in that film where I felt like Diablo Cody had plucked things directly out of my brain.

Despot



I saw Despot perform live with Das Racist and he was fucking amazing. He's a short dude with red hair that kind of looks like Mitchell from Modern Family but when he starts rapping he OWNS the stage. He actually led the entire crowd in aerobics at one point, which was hilarious.

Here is some of his music I like:

Look Alive


Crap Artists


There are a lot of amazing tracks out there where he stands out as having the best performance. For example on "Power" off Das Racist's "Relax" he ends what might be the best song on the album with what might be the best verse on the album:



He's also got a great verse on one of the other best tracks of 2011- "The Last Huzzah (Remix)" by Mr. Muthafuckin eXquire Ft. Despot, Das Racist, Danny Brown and EL-P:



From seeing Despot perform live I can tell you he's got wit, charisma and more talent than most rappers out there. The one thing he doesn't have is an album, but that is apparently coming in 2012 with all the beats done by the band Ratatat. If this track is any indication, it is going to be fucking awesome:


Portlandia: Battlestar Galactica



Battlestar Galactica is my favorite TV show of all time, and I like a LOT of TV. I bought myself the entire series on BluRay when it went on sale a couple years ago. In my zeal I completely disregarded the fact that I own neither a BluRay player nor a Hi-Def TV. Still don't.

This video is an entirely accurate portrayal of what happens when you get hooked.

Sunday, September 25, 2011

Das Racist - Mixtapes



Das Racist is the most exciting thing in Hip-Hop right now. I like it so much, I literally cannot listen to other music. I'm addicted to them the way I imagine Alcoholics are addicted to booze. But there is no Das Racist Anonymous and I'm pretty sure there are no detrimental side effects, aside from freestyling in my car when I should be watching the road, so I'm going to share my favorite stuff with you.

I've only dug into the free mixtapes so far, "Shut Up, Dude" and "Sit Down, Man." They also have a for-profit album titled "Relax" but I want to stretch this "so-excited-I-can't-believe-how-good-what-I'm-listening-to-is" feeling out for as long as I can, so I'm putting off listening to it until the month of October. Last time I liked two albums this this much was last year with the one-two punch of "My Beautiful Dark Twisted Fantasy" and "Man on the Moon II: The Legend of Mr. Rager." I'm not going to try to come up with a definitive statement about who they are or what they are trying to say that's not already in their name. But they are from Queens and met at Wesleyan, if you care about stuff like that.

They don't have any songs I would consider less than excellent (with the possible exception of the original mixes of "Combination Pizza Hut and Taco Bell" and "One Dollar Can" but those are joke songs). Their music is dance-able, insightful and hilarious all at the same time while having an abundance of those lines that make you go "Oh shit," stop the track and rewind 10 seconds. Every day I have a new favorite song, but these are the front-runners right now.

Shut Up, Dude

Who's That? Broooown!



Nutmeg


Shorty Said


Sit Down, Man

rapping 2 U

This is actually my favorite song, maybe ever. Since a first heard it, not a day has gone by where I've listened to it less than 6 times.


you can sell anything (prod by Diplo)

This has one of my favorite lines from anything ever:
"Label's like, 'Maybe we can cake off the weirdos'
Ok - plug your nose, here goes
Caveman porn star riding on a unicorn
Undercover cop, and I'm wearing a uniform
Plus I wrote all of my rhymes in cuneiform
Hella years ago, B.C., you better be informed"


rooftop


Mixtapes available for download here